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The Summicron has a somewhat cheap-feeling rectangular plastic hood, which clips on to the lens. The Summarit narrows down towards the front of the lens, while the Summicron has consistently the same diameter. They protrude from the camera by almost the same distance and balance on the camera perfectly.
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Solid and reassuringly hefty, despite their small size. Raw conversion: Adobe Lightroom 6.14 (2012 Process)Ĭlick on any image to view it in a lightbox, and use the arrow keys to navigate between images.Both lenses are beautifully built.No lens profile correction or additional processing.Focus distance: 0.7m (minimum focus distance for the Summicron-M).The shooting parameters are identical across all four images, which means the images are slightly underexposed for the f2 lenses and slightly overexposed for the f1.8 lenses: I shot the images on a Sony α7R on a tripod. These are all images of the same flower, shot in the shade in the side garden of my house. Comparison No 1: Flower in my garden (Agapanthus) The APO-Lanthar is the newest kid on the block, and intended to be the reference standard lens for the FE mount in terms of resolution and colour accuracy.
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The Carl Zeiss Sonnar FE55 is one of Sony’s earliest lenses and generally well regarded, though no longer considered their top of the line (that honour currently belongs to the Carl Zeiss Planar T* ZA 50mm f1.4). I’ve always liked this lens – it performs amazingly for it’s price and worth adding in any photographer’s kit. The budget Sony FE 1.8/50 is probably the lightest, with it’s plastic barrel. We can see the Leica Summicron-M is the smallest in the group, a testament to it’s classic and timeless design, and an affirmation why this is the beloved lens of many photographers, the reference standard against which all other 50mm lenses from any manufacturer is judged against. Visual Comparisonįirst of all, let’s examine the four lenses side by side and next to each other: For the Leica Summicron-M (which is in the Leica M mount format), I used the Voigtländer VM adapter to convert the M mount the the FE mount. This is a non-scientific and casual comparison of the four lenses. Sony FE 1.8/50 (a budget standard lens intended for the cost conscious enthusiast photographer).
50mm summicron collapsible reviwq full#
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It is recommended as the first prime lens that any beginning photographer should look to purchase. The 50mm focal range has long been regarded as the “standard” for photography, as the angle of view closely approximates that of the human eye. Many are saying it is comparable to the Leica APO-Summicron-M, the gold standard for 50mm focal length lenses in the 35mm (full frame) sensor format, retailing for a cool A$11,500. Voigtländer claims it is their best performance standard lens ever. The Voigtländer APO-Lanthar 50mm 1:2.0 has generated a lot of interest in the photographer community as the innovative apochromatic aspherical design is optimised for maximum resolution, maximum contrast and minimum optical and chromatic aberrations. So, how does the new Voigtländer APO-Lanthar 50mm stack up against the venerable Leica Summicron-M 50mm, as well as the two Sony native lenses on a Sony full frame camera? Let’s find out!